Her name was Martha Fleming, but every one called her "Old Zulu", and
she ran the prostitution in African-American Oklahoma City until about
1909. Born in Virginia, there is little known about this woman other
than the sometimes slanted accounts reported in local news articles and
court records. She is profiled, again with a biased brush, in McGill's
early, agenda-driven, account of the rough and rowdy early days of
Oklahoma City. She apparently was the dominant figure who kept the
girls on "Alabaster Row" (believed to be the local brothels catering to
African American men located on California Street) in line, operated in
her own establishment or area outside of the city limits, east of the
railroad tracks on Grand Ave. (Now Sheridan).
Art by Marilyn A. Hudson c2015 |
"Zulu" or "Zoo",as she was sometimes called, seems to emerge in the
early days of the town and first shows up in papers circa 1895. She was believed to be a either a pawn or a
collaborator of a much reviled Madame "Big Anne" (Anne Wynn Bailey).
Thus she is seen as either a link to the African American vice and the
money that could be made there or as mirror professional who functioned
in the segregated reality of the times. Whichever was the truth,
together, they managed a sizeable portion of the action to be found in
Oklahoma City's "Hell's Half Acre." Her regular domain, the area of east
Grand, just past the Santa Fe Depot may have been used by a variety of
individuals for multiple purposes. The area, just after the run and for a
long time later, was outside of town limits and thus beyond the
sometimes inept or political motivated city police force.
The south side of "Hell" was called "Alabaster Row" and it generally assumed this was a line of establishments with African-American or non-white women. This may be true in full or in part. Not enough objective evidence has been seen by this writer yet to define it strictly along those lines. Indeed, research indicates that vice in Oklahoma City was in many ways very integrated at times.
It is known, from establishments and
writings from other locations (Leadville and San Francisco, etc.) that
'alabaster' was sometimes a term used to describe these women of the
night. They were sometimes likened to marble statues of loveliness and
perfection. There could have been a little of both involved here. It
does seem strange that such a line of houses would exist on California
to the south and most identify "Old Zulu's" domain as the E. Grand Ave.
area across the tracks. It may be there were two groups catering to
altogether different clienteles. Many of the gambling, drinking, or
carousing dens in "Hell" were a broad spectrum selection. Low dives
rubbed shoulders with fine Belgian carpets and cheap 'rot-gut' was just
across the street from full bodied wines of the finest label. The
outside of town places may have catered to individuals who could not
afford to come into town, for economic, comfort, or recognition
reasons.
Most newspaper and early descriptions seem to agree that Martha was a
tall woman of tremendous strength. She stood approximately 6 feet. She
always carried a pistol on her and usually down her dress. She
sometimes wore a jacket and work boots. She appeared to be many
things from petty thief, to drunk, to drug user, political activist, and
con artist. What ever she might have become, her Achille's heel was
clearly an addiction. She was known to get a little energetic while
under the influence of liqueur or heroin/cocaine. One instance, it took
several full grown police officers to get her to the tank to sleep off
her over indulgence and she tore up the jail and wounded another
prisoner before she finally came down from the high of the stimulant.
Descriptions of these women can prove as fascinating and insightful as a
photograph. "Big Annie" was drawn in local papers as a fleshy,
mean-faced, man-like woman used to pushing her weight around to keep
control in Oklahoma City. Social attitudes are apparent in the artistic
renderings of her during a famous legal contest in 1908. Likewise,
social attitudes are prevelant in the label given Martha, she was tall,
powerful, and wild. Unrest in Africa at the time provided a new
vocabulary as the Zulu army battled European armies for dominance. She
was then the archetypal savage black woman, "Old Zulu." In both
instances, part of the problem was they were women operating out of the
acceptable boundaries of society, women acting indepently and having
some level of success. Lessor issues had to do with race and addictive
behaviors aligned with preceptions of social status. In both women
society had outcasts due to the work they did and so less focus was on
the race of either woman.
Early Baptism in Canadian River |
She was a regular visitor to the city lockup and had one of the longer
arrest records in city history. At one point, she was sent to
jail (1895 and to Lansing in Kansas in 1906). Local law may have just
grown tired of the swinging door of her pattern of misconduct.
In 1907, she was converted in a service conducted by the mission
housed where the notorious old "Blue Front Saloon" had operated. This
was no doubt the holiness-pentecostal mission led by Harry Lott that
became one of the first Pentecostal churches west of the Mississippi.
Like "Big Annie", "Old Zulu", is a rare and unique piece of the puzzle
that is Oklahoma City history. Without all the history - the warts and
the tiaras - the story is just not complete. The reality of addiction
(sex, liquer, and drugs) is often overlooked when examining behavior of
people in certain historic eras. In the middle of the
Victorian-Edwardian period such behaviors were viewed as moral
weaknesses of the lower classes. No leeway was given for addiction
problems, life stresses, or social dynamics.
Who was this early business woman of Oklahoma City? Where did she come
from, what struggles did she have, and what happened to her after this
brief window of time?
The women like Annie and Zulu could be marginalized, scorned, jailed,
and preached about - but they could not be ignored. People might not
have liked the businesses they conducted but they were definitely some
of the earliest women in any business in the early days of "Hell's Half
Acre."
--Marilyn A. Hudson (c)
--Marilyn A. Hudson (c)
NOTE: If you are a descendent of this woman, I would love to hear from you and share her story in more detail. Contact me at marilynahudsonATyahoo.com
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